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Writing Against Time, by Michael Clune
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For centuries, a central goal of art has been to make us see the world with new eyes. Thinkers from Edmund Burke to Elaine Scarry have understood this effort as the attempt to create new forms. But as anyone who has ever worn out a song by repeated listening knows, artistic form is hardly immune to sensation-killing habit. Some of our most ambitious writers—Keats, Proust, Nabokov, Ashbery—have been obsessed by this problem. Attempting to create an image that never gets old, they experiment with virtual, ideal forms. Poems and novels become workshops, as fragments of the real world are scrutinized for insights and the shape of an ideal artwork is pieced together. These writers, voracious in their appetite for any knowledge that will further their goal, find help in unlikely places. The logic of totalitarian regimes, the phenomenology of music, the pathology of addiction, and global commodity exchange furnish them with tools and models for arresting neurobiological time. Reading central works of the past two centuries in light of their shared ambition, Clune produces a revisionary understanding of some of our most important literature.
- Sales Rank: #386603 in Books
- Brand: Brand: Stanford University Press
- Published on: 2013-01-09
- Released on: 2013-01-09
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .70" w x 6.00" l, .85 pounds
- Binding: Paperback
- 200 pages
- Used Book in Good Condition
Review
"Michael W. Clune's book is about how artists have found ways to stop the mind in its tracks, to suspend it in a state of ongoing presence. There are many shoots to his argument, but at its core is a romantic, optimistic, even brave commitment to the power and danger of aesthetic forms."—Blakey Vermule, Stanford University, Nonsite
"Clune's exquisite new book asks how literature might arrest time's erosion of perceptual vivacity. He moves beyond the historicist orthodoxy that has so dominated literary study for the past twenty years."—Jonathan Kramnick, Johns Hopkins University, Nonsite
"This book reminds readers that the purpose of reading is to live outside of time, but also to enter a story that allows one to remember those moments when time seemed to stop . . . Summing Up: Recommended."—K. Gale, CHOICE
"What is striking about this book is the combination of enormous ambition and economical exposition. Its questions are big and its answers are provocative. Even better: we have the chance to see the world for a while through an enchanting mind. Thinking with Clune is sheer pleasure."—Amy Hungerford, Yale University
"Clune makes a powerful argument for how the literary critic, if properly aware of the literary subject's uniquely antagonistic relation to time and actuality, might contribute something new to other disciplines as opposed to remaining parasitic on their methods."—Sianne Ngai, Stanford University
About the Author
Michael Clune is Assistant Professor of English at Case Western Reserve University. He is the author of a previous work of criticism, American Literature and the Free Market, and of a forthcoming memoir, White Out.
Most helpful customer reviews
11 of 14 people found the following review helpful.
Compelling Study of Literary Effects
By P. Cherches
I'm a fiction writer and poet who rarely reads literary criticism. I'm of the generation that was brought up on the joy-killing exegeses of the new criticism. And the joy-killing post-structuralists debase art by abusing it in the service of other concerns. But Clune's book is essentially about literary aesthetics and the mechanisms of literary effects, which interest me and which I find to be a noble goal of literary scholarship. Unlike most works of literary scholarship these days, Clune's book is readable, compelling, impressive in its breadth and not overly bogged down by jargon.
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