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Being constantly criticized for excessive emotion and movement by her piano professors, Olga Bobrovnikova took inspiration and a new attitude to performance when she heard the recordings made in the 1890s of a forgotten pianist, Paul Pabst, who Tchaikovsky called "a pianist blessed by God." Her diagnosis of MS coincided with her discovery of Pabst and his music, and in her typically defiant way, she set out to record Pabst’s exceptionally difficult piano paraphrases of Tchaikovsky operas, and to make the first-ever recording of Pabst’s own piano concerto. Her immersion in this lost history of the Russian Piano School revealed major differences in and controversy regarding the style of piano performance as well as coinciding with a growing interest in the brain and music. A passion for pleasure in performance and a study of the neurology of her MS-damaged brain created this unique book, which is a fusion of fascinating musical history, a wide review of scientific research, and detail of a new performance method.
- Sales Rank: #3613266 in Books
- Published on: 2014-08-17
- Released on: 2014-02-20
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .59" w x 5.00" l, .57 pounds
- Binding: Paperback
- 236 pages
Review
The book is really impressive! Professor Cyril Hoschl“
A very interesting read Professor Gavin Giovannoni
“Outrageous comments are needed in a sea of ignorance.—Professor Andrew Lees“A fascinating story and account of your life experiences. —Professor Jean Paul Malkowski
“An eye-opening approach to understanding of the relationship between music and the brain. truly original and it will open new pathways. Professor Blanka Schaumann“…
congratulations on your interesting and well written book!Professor Jorg Kesserling
“…some great threads run through the book… . it has the seeds to be a truly great and unique contribution.
--Professor Lawrence S Sherman About the Author
Olga Bobrovnikova is a Moscow Conservatory–trained concert pianist with multiple sclerosis (MS). This disease could have destroyed her life and career; instead, it changed her life. Dedicating her career to MS, she taught, researched, and wrote about Russian musical history, questioned the decline of pleasure in modern piano performance and decided to unravel the secrets of pleasure and the performing brain.
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